Wendy Griffin was once a college dropout. At the end of her first semester at Northwestern University, back in the days when female students were locked in the dorm at 9 p.m., she made a rope ladder out of sheets and escaped out the window. She fled to New York to do Off Broadway, working with the likes of Dustin Hoffman, Mitch Ryan and Graham Jarvis. In between shows, she supported herself as a puppeteer, a “Beat” poet, and a diamond courier. After several seasons, she traveled with friends to Mexico and from there to Florence, Italy. But the wet Italian winters depressed her, so she strapped her guitar on the back of a motor scooter, and headed across the Alps to southern Spain. During the next decade, she married, had a daughter, worked as a folk singer in London, and traveled across Europe with her musician husband.
Ten years later, the ex-expatriate returned to the United States to find herself a single parent with a high school education and very limited labor market skills. She worked as a Spanish/English interpreter in Chicago and then branched out into folk and cabaret singing before moving to California. Here she sang in several clubs and got full-time work as a cocktail waitress and bartender. With time, she began to double as the Federal Women’s Program Coordinator for the El Toro Marine Corps Base. She resumed her long neglected formal education on a part-time basis through the California community college system. A scholarship from the American Association of University Women allowed her to reverse that balance and, as a full-time student, she transferred to the University of California at Irvine. There she received her BA Magna Cum Laude and then went on to graduate with a Ph.D. in the interdisciplinary Social Sciences, with an emphasis on the sociology of sex and gender.
During graduate school, Professor Griffin published two historical novels, which she refers to as “subliminally subversive,” and was honored by the friends of the UCI Library for her literary accomplishments.
She taught in the Department of Women’s, Gender & Sexuality Studies at CA. State University, Long Beach for 26 years and was presented with the award for Excellence in Teaching from the Friends of Women’s Studies in 1988, and from the College of Liberal Arts in 1993. During her last five years before retiring Professor Emerita, she served as Chair of the Department.
She is a longtime community activist, having served in leadership positions in California NOW, Orange County ERA, and Long Beach’s WomanShelter, among others, and has been honored with the highest award granted by the Women’s Network Alert, a coalition of several thousand Orange County Feminist Activists. As an expert on women’s issues, her interviews frequently appear in the broadcast and print media. Her work has been used in testimony before CA. Senate Judiciary Committee on Economic Equity.
Her articles that appear on this website have been published in noted academic journals and books on sociology, religion, and gender. She was the co-editor with Chas Clifton of the first academic series in pagan studies, by AltaMira Press, as well as the founding co-chair with Michael York of the Contemporary Pagan Studies Group for the American Academy of Religion.
Professor Griffin’s interest in spirituality and female representations is evident in her work as a performance artist and drummer, where she was able to integrate her earlier life in the arts with her academic one. The performance group which she founded was named Lipushau, after the first named drummer in history, and played at venues as diverse as Pagan Pride festivals and the Beverley Hills Women’s Club.
Unwilling to simply fade away into retirement, she accepted the position of Academic Dean at Cherry Hill Seminary which provides distance training in Pagan ministry. There she is using her academic expertise to help guide the Masters’ programs to accreditation.
She lives in Long Beach with her husband, a large dog, one bird, nineteen drums, and a pond full of koi.
In case you began reading this wondering why it was not a traditional academic C.V., you should now be able to guess the answer. Along with many other scholars today, Dean Griffin rejects the concept of absolute objectivity. She acknowledges that she is an embodied thinker and an embodied teacher who has lived an unconventional life. Who she is and where she has been contribute to shaping her classes and research.
As a friend once pointed out, there is no point in her attempting to present herself as traditional. Who she is just wells up and spills out.
Hi Wendy! Have just read your beautiful tribute to Layne Redmond. Unfortunately I didn’t know she had passed until just a few months ago. I’m an expat who started late and didn’t go back. I’ve known of Layne’s wonderful work since the 1980s+90s, but never heard her live. What caught my attention in your piece was the reference to Layne’s bringing the frame drum to Malta and teaching here. Could you please explore more of that in detail with me by email? I would love to meet anyone who has studied with her or is currently drumming here. Have never heard of anyone doing this. Thanks, C
Hi Clotilde, Layne took a group of women with her to Malta. I can’t locate anyone from the group, but if you post on her website, which is still being maintained, and her FB page you might get someone. You might also try the Women framing drumming FaceBook page. Good luck. I know there is a group of her students on Cypress currently, but don’t have their information.
Wendy — I just came across your writing about Layne Redmond that was posted on The Wild Hunt. Thank you so much for that! I only got to take a drumming workshop with her once, but this has stayed with me and inspired me continously in so many ways!
I am surrounded by a diverse community, and many of my friends are pagan. I have always wanted to learn more, and Cherry Hill Seminary is a fantastic, wonderful idea. I am so glad that it exists. Even if I do not go, I can pass on word to my friends about such a unique opportunity. I am now in my first semester of college as an Applied Linguistics and English major. I love to learn, and it has been hard to settle into a set path. I started as a Neuroscience and Applied Linguistics major! I have no idea where I’m going, but my path has definitely been touched by things beyond my understanding. I claim no faith, but I always want to learn more! I am checking out one of your books from the library at my university for a paper. I am very excited to get to read your work, and I hope to take a couple of classes as Cherry Hill Seminary one day.
Hi Wendy, Thanks for writing about Layne.
I will miss her so.
Over the years I have paid her more money then any other educational investment in my life.
I have listened to her speak, even the same speeches in different locations.
The inscription: “Woman with Cake” was actually on a description found in the basement of the Vatican!
There are so many things I have learned from her; both about drumming and about
her life; and ultimately about my own life.
Perhaps we can be friends since we are on the same coast (I am in the bay area)
I would love to have someone I can truly speak about Layne with.. and to Drum with?
yours in and out of rhythm, Fern
Hi Fern,
I am in Long Beach, so drumming together would be difficult. I don’t drum much lately and still miss my frame drum group called Lipushau.
Layne presence in our lives was a gift to us. We went out to dinner together in April. I’m so glad I got a chance to tell her I loved her.
Hi Wendy… I just wanted to tell you, that I have always admired you and held you in my heart since my 2 years of Feminist Pedagogy with you and various other Women’s Studies courses. You inspired me greatly, and I felt a connection to you since then, and wanted to say thank you for Seeing me… and for teaching me how to listen, and to be true to myself. I graduated in 2004. Much love to you!